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The Sonata for Bb Clarinet and Piano is a 10 minute
work cast in four short contiguous movements which
borrow their titles from a catch phrase popularized
by Carl Perkin’s opening lyrics to “Blue Suede
Shoes.” The movement titles were added after
the work was completed but are seen by the composer
as a fitting expression of the showy style and
character of the piece. The mixture and
blending of cross-cultural idioms is central to the
composition as a whole. The work makes heavy
use of the split Major/minor 3rd as a unifying
device appearing in each of the four movements
amidst otherwise contrasted thematic and stylistic
elements. The brief opening movement
morphs through several very diverse rhythmic and
harmonic styles with the tempo of the16th note being
the underlying constant. The second
movement overlays modal harmonies in the piano part
with an intense ‘bluesy’ melody played by the
clarinet. A solo cadenza for movement three
serves as a bridge combining motivic and thematic
elements from each of the earlier movements and
anticipating the fourth and final
movement. The boisterous finale is a
slightly indulgent detour into the pseudo-ethnic
world of the modern Balkans.
Sonata for Bb Clarinet and Piano was commissioned by
and written for Cynthia Krenzel Doggett with
support from the Iowa Arts Council. The premiere was given at Central
College, Pella, Iowa on Sunday, October 9, 2011.