Peter
Wright, Bb Clarinet and Elizabeth
Kilpatrick, Bass Clarinet
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"Analogues" is a set of three movements for Clarinet
and Bass Clarinet composed at the request of Peter
Wright - principal Clarinetist of the Jacksonville
Symphony Orchestra. The work was premiered by
Mr. Wright and Bass-Clarinetist Elizabeth Kilpartick
at the 2004 International Clarifest in Washington
DC. The mp3 files above are a recording from
the premiere (thanks to Richard Fryer for
cleaning up the audio in mvt 1)
The title of the work is suggestive of the Analog
synthesizers of the 60's and 70's - each
individual movement taking its title from devices
commonly associated with the synthesizer.
Although each movement hints at some of the
textural aspects associated with the respective
synthesizer device, the work is primarily an
attempt to blend the two instruments into a single
composite. The first movement,
"Arpeggiator" does this through classical (and
often very close) imitative counterpoint and is
probably the most traditionally sounding of the
three. The more ethnic sounding second
movement, "Resonant filter" blends the two
instruments primarily through a varied intervallic
doubling that emphasizes the unique overtone
structure of the clarinet - one that prominently
features the odd numbered overtones of the
harmonic series. "Sample and Hold" - the
final movement uses a hocket-like texture to meld
the two instruments into a composite.
Stylistically, this last movement is rather
whimsical, borrowing more from popular idioms and
harmonic progressions.
Although they are somewhat eclectic in style, the
three movements are unified by a sprinkling of
chromatically complex idioms mixed in with the more
"indigenous" diatonic elements, and also by a
large-scale tonal structure that gradually descends
in semitone increments from a tonality of "A" at the
beginning of the first movement to a tonality of "F"
at the close of the last movement. Hence, both
the first and second movements end tonally a
half-step lower than they begin.